“Being surrounded by death made me think about how beautiful life is.”
As a final-year medical student, Sophie Payten (aka Gordi) learned to certify death. Beyond just what we see in the movies – checking for a pulse, hearing the monotone of a flatline, announcing the time – the process involves observing a person who’s no longer responding. As she looked at their still, waxy skin, Payten says “It made me think of plasticine – that soft, malleable substance, that we can shape and mould in our hands, until we leave it to set in place. I thought about all the ways we are like plasticine in life – how forces we can’t control, contort us into shapes, stretch us thin, and test our resilience. But sometimes, heart-wrenching change can be a thing of beauty.”
These moments of transition – the anguish and the ecstasy of change – are captured on her new album, ‘Like Plasticine’, which opens with the gritty, entirely iPhone-recorded GD (Goddamn), a reminder of the things we do to carry on and endure – Look around. Slow down. Call your mum. Over sparse, distorted synths, Payten sounds like she’s trapped underwater or pressed against a window, looking in on the lives she is wondering how to step back into.
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